TED LARSEN

Biographie
TED LARSEN
Ted Larsen (né en 1964, États-Unis) est un artiste exposé internationalement, récipiendaire de la Fondation Pollock-Krasner, diplômé de la Northern Arizona University. Le travail qu'il crée fournit des commentaires sur les systèmes de croyances minimalistes et à propos de l'importance ultime de la pratique des Beaux-Arts. Depuis 2001, Larsen utilise des matériaux alternatifs et de récupération dans ses créations.
 
Le travail de Ted Larsen a été largement exposé dans des fondations privées et des musées aux États-Unis, notamment le New Mexico Museum of Art de Santa Fe, The Albuquerque Museum, The Amarillo Museum of Art, The Spiva Center for the Arts à Joplin, Missouri, et le Philadelphia Museum of Art, ainsi que dans plus de 100 expositions en galerie. Il a été récipiendaire de la Surdna Foundation et de la Pollock Krasner Foundation, et été en résidence à la Edward F. Albee Foundation et au Asilah Arts Festival au Maroc, où il a été choisi pour être le représentant des Etat-Unis. Il a donné des conferences à la South Carolina Governor's School for the Arts de Greenville, South Carolina; University of Art and Design de Santa Fe, New Mexico; The Palm Springs Art Museum, Palm Springs, California; The New Mexico Museum of Art, Santa Fe, New Mexico; Site Santa Fe, Santa Fe, New Mexico; Texas Society of Architects, Dallas, Texas; the Boulder Museum of Contemporary Art, Boulder, Colorado; the Denver Museum of Art, Denver, Colorado.
 
Ted Larsen a été présenté dans Flash Art, Whitehot, Ocula Art, Art in American, ArtNews, SouthWest Art, Mountain Living, Architectural Digest, Sculpture Magazine et Art Gallery International. Il a notamment été chroniqué dans le New York Times, le Philadelphia Inquirer, le Denver Post et le Dallas Morning News. Le travail de Larsen apparaît dans les livres « Art On The Edge », « Biennial Southwest », « The Curtain of Trees », « New American Paintings » et « Millennium Collection ». Le service de radiodiffusion publique (PBS) a produit une interview avec Larsen.
 
Ted Larsen fait partie des collections du Musée d'art du Nouveau-Mexique, du Département des affaires culturelles du Nouveau-Mexique, de la Fondation Edward F. Albee, de Proctor & Gamble, du Consulat de Bolivie, du Reader's Digest, de PepsiCo, de l'Université de Miami, de l'Université du Texas, Krasel Art Center, Dreyfus Funds, JP Morgan Chase, Forbes, Lannan Foundation et Pioneer Hi-Bred, Inc.
Œuvres
Expositions
Bibliographie
TED LARSEN

Ocula Art, “The Lowdown: shows to see during Frieze Week,” April 27, 2018, Robert Ayers
Whitehot Magazine, “Dallas Art Fair vs SP-Arte: Texas Tackles Brazil,” April, 2018, Paul Laster
Westword Art, “Shape Shifting with Four Shows at Robischon Gallery,” August 27, 2017, Michael Paglia
Flash Art, Issue 331, February/March, 2017, Ted Larsen, PRIVATEVIEW, Torino (exhibition review), Mattia Solari Nuovasocieta, “Lamiere, Colori, Geometrei: L’astrattismo Empatico Di Ted Larsen,” December 7, 2016, Emanuele

Rebuffini
Gazzetta Torino, “The Kaleidoscopic Abstractions of Ted Larsen,” December 3, 2016, Paola Stroppiana
Collezinone da Tiffany, “From Mendrisio to Palerma: 8 Exhibitions to be Seen,” November 5, 2016, Nicola Maggi PRIVATEVIEW PRESS, Ted Larsen, Exhibition Catalogue, November, 2016, Paola Stroppiana
THE Magazine, “Ted Larsen, To Live, Leave It All Behind,” Review of Nuart exhibition, November, 2016, Ann Landi
Art Ltd, May/June, 2015, Vol. 10, No. 3, "Review," Jordan Eddy
L'Officiel, December & January, 2015-16, Number 1001, "Clara Malloy, The Inn of the Anazai," Frederique DeDet Westword Arts, Denver Edition, June 2, 2015, "Getting the Most Out of Minimalism at the Robischon and Rule Galleries,"

Michael Paglia

page4image10222016

Pasatiempo, The Santa Fe New Mexican, January 16, 2015, "Abandonment to Rebirth: Artist Ted Larsen," Michael Abatemarco

Trend Magazine, Fall Issue of 2014, "Trouble with the Curve," Craig Smith
Sculpture Magazine, March, 2014, "Surfaced Forms, Ted Larsen," Scott Rothstein
Westword Arts, Denver Edition, February 20, 2014, "Conceptual Abstraction Runs Through Shows at Robischon and Vertigo,” Michael Paglia
Broad Street Review, December 1, 2013, "Oh Men, Oh Women!," Anne R. Fabbri
THE Magazine, September, 2013, "Critical Reflection," Richard Tobin
Les Eltychev, Les Editions Noir sur Blanc, 2013, Roman Sentchine
Westword Arts, Denver Edition, August 8, 2013, Robischon Fills it Rooms Amid A Flurry of Summer Shows, Michael

Paglia
Art LTD, July/August, 2013, "Critic's Picks: Denver," Michael Paglia
A Gift from the Heart: The James & Barbara Palmer Collection, Jan Muhlert, Palmer Museum of Art, Pennsylvania StateUniversity, 2012 (forthcoming)
Art LTD, May/June, 2012, "Pulse"
Santa Fean, June/July, 2012 "Ted Larsen, Artists to Watch," Dianna Delling
The New Mexican PasaTiempo Magazine, January 27, 2012, "Art in Review," Michael Abatemarco
The Albuquerque Journal, January 6, 2012, "Falling Festivities," Kate McGraw
Denver Post, August 18, 2011, "Artists Pard Morrison & Ted Larsen Tackle
Geometric Abstraction from Different Angles," Kyle MacMillan
Westward Arts, Denver Edition, July 5, 2011, Staple of Summer Arts Season, Michael Paglia
D Magazine, April, 2011, Front Row Review, Geometric Trio, Peter Simik
Houston Magazine, May, 2011, Heavy Metal, Charlie Bier
PasaTiempo, Santa Fe New Mexican, Art In Review, New Mexico Museum of Art, Douglas A. Fairfield, January 14, 2011 The New York Times, “36 Hours in Santa Fe,” Fred A. Bernstein, May 23, 2010
New American Paintings, No. 90 West Edition, 2010, Open Studio Press, Boston, Massachusetts

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